05.09.1982

Образование
Northwestern University (USA), история искусства

Специализация
Искусство ХХ и ХХI вв.

Ученая степень, звание
Ph.D. (доктор философских наук)

Преподавание (лекционные курсы)
• Введение в социальную историю искусства
• Современное искусство в глобальном контексте

Место работы, должность
ВШЭ, Школа истории, в кафедре истории искусства

Членство в других творческих и общественных организациях
CAA, ASEEES

Избранные публикации
• "Surface Tension: Sam Gilliam, Modernist Painting, and the Critical Examination of Race in Post-War American Art," Critical Riot: On the Failures of Imagination in Contemporary Art Writing and Criticism, in press
• "Care Outside the Comfort Zone: Maternal Aesthetics, Katrin Nenasheva, and the New Politics of Performance Art in Russia," Performance Research 22:4 (7 November 2017): 79-88.
• Book Review, Aesthetic Revolutions and Twentieth Century Avant-Garde Movements, H-Russia, 10 August 2017
• Exhibition Review, "Hyperrealism: When Reality Becomes an Illusion," CAA.Reviews, 16 November 2016
• Дьяконов, Лученто, Плунгян и др., "Соцреализм: исследовательские перспективы и тупики, Tatlin News 2:89:156 (2016), 677-703.
• "Погоня за счастьем: как представляли себе социализм афроамериканские художники в США 1930-х годов?, Разногласия [Differences] No. 1, 25 February 2016
• Exhibition Review, "Special Fund, 1937-1939," National Art Museum of Ukraine, CAA.Reviews, 21 January 2016
• "The Conflicted Origins of Soviet Visual Media: Painting, Photography, and Communication in Russia, 1925-1932," Cahiers du Monde russe, 56/2-3, Avril - septembre 2015: 401-428.
• Book Review, Aksenov and the Environs, Studies in Russian and Soviet Cinema, Fall 2013: 353-354.
• "Живопись, материя, пространство: Давид Штеренберг и визуальная новация в молодой советской России", Пространство ВХУТЕМАС: Наследие. Традиции. Новации: материалы Всероссийской научной конференции (МГХПА им. Строганова, 2010): 134
• "Evolution and Homogenic Love in C.R. Ashbee's Guild of Handicraft," Design in the Age of Darwin, eds. Stephen Eisenman and Corinne Granhof (Evanston: Northwestern University Press, 2008): 51-59.

Избранные конференции
• Invited Workshop Presentation, The Geopolitical Aesthetic of (Post-) Socialisms: China, Russia, and Beyond, Princeton University, 29-30 September 2017
• Invited Public Lecture, "Monumental Connections: The Impact of Soviet-American Friendship on the Development of Realist Art in the 1930s," HSE Open Lectures, Gorky Park, Moscow, 14 September 2017
• Invited Panelist, "Я не поэт, а деятель культуры, Round Table on the Work of Dmitry Prigov, Государственная Третьяковская галерея, 28 июля 2017
• Invited Panelist, "Культурная революция," Галерея на Шаболовке, 23 апреля 2017
• "Painting Socialist Internationalism: Béla Uitz and the Development of Transnational Proletarian Art, 1930-1941,"Association of Slavic, East European, and Eurasian Studies Convention, Chicago November 2017
• Roundtable Discussant, "The Life of Film Beyond the Silver Screen," Association of Slavic, East European, and Eurasian Studies Convention, Chicago
November 2017
• "Representing the Revolution: How October 1917 Shaped the Face of the American Black Power Movement," Trajectories of October: Origins, Reverberations and Models of Revolution, EHESS, Paris
19-21 October 2017
• "Antiquity and the New Man: The Classical Figure in the Work of Evgenii Katsman," VI Международная научная конференция «Художник. Революция. Общество», Ульяновск, 15 сентября 2017
• Conference Co-Organizer (with Jessica Werneke), Art vs. Document: Photography in Modern Russian History, National Research University-Higher School of Economics, 1-2 June 2017
• "Entangled Modernisms: Constructivism, Jadidism, and the Emergence of a Global Avant-Garde in Eurasia," College Art Association, New York, 15-18 February 2017
• "The Site and Sound of Nonconformity: Boris Mikhailov's Conceptual Photography in the Soviet Cityscape,"Association of Slavic, East European, and Eurasian Studies Convention, Washington, D.C. November 2016
• Roundtable Discussant, "The Rise and the Fall of the Soviet Industrial Sublime," Association of Slavic, East European, and Eurasian Studies Convention, Washington, D.C. November 2016
• "Роль Международного бюро революционных художников (МБРХ) в глобальном модернизме: Открытия из архива," Федорово-Давыдовские чтения, МГУ им. Ломоносова, апрель 2016